Precarity Shared: Breathing as Tactic in Air’s Uneven Commons,” Poetics and Precarity, ed. Myung Mi Kim and Cristanne Miller (SUNY Press, 2018)

Smelting Pot,” invited contribution for Dimensions of Citizenship: Architecture and Belonging from the Body to the Cosmos, catalog of the U.S. Pavilion for the 2018 Venice Architecture Biennale, published simultaneously on e-flux, ed. Nick Axel, Nikolaus Hirsch, Ann Lui, and Mimi Zeiger (New York and Los Angeles: Inventory Press, 2018/e-flux, May 2018)

Phrasebook Pentecosts and Daggering Lingua Francas in the Poetry of LaTasha N. Nevada-Diggs,’” The Fate of Difficulty in the Poetry of Our Time, ed. Charles Altieri and Nicholas D. Nace (Northwestern University Press, 2017): 261-75

Chloris in Plural Voices: Performing Translation of ‘A Moonstriking Death’,” Translation Review 95 (July 2016): 25-40

"I 0we vs. I/O," Jacket2, December 2016 "Aeolian Harping: Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity (Part 1)," & "Copper Lyres (Materiality of Poetry in the Age of Digital Reproduction & Ecoprecarity, Part 2), Harriet, May 2016

"Translation as (Re)Performance (Part 1: Moonstriking)," & "Chloris a più voci (Translation as Reperformance, Part 2), Harriet, and Huffington Post, May 2016

"Aborted Nurses: A Geopoetics, for Mother’s Day (and the formula babies)," Harriet, and Huffington Post, May 2016

"Nursing Futurism," Harriet, May 2016

“Psychogeography of the Lagoon,” Psychogeographical Romance: Three Interviews, Curated by Leonard Schwartz (Essay Press, 2015)

Festina Lente: Invention of the Modernist Poet as Editor in the City of Aldus,” Paideuma 42 (2015): 57-84

Cantonidisintegratidella / miavita”: Closure and Implosion of the Canto(n) in Amelia Rosselli, and the Dream (or Nightmare) of a Transnational Language,” Moderna: Semestrale di teoria e critica della letteratura 15:2 (2015): 131-56, a special issue edited by Emanuela Tandello and Chiara Carpita

"Introducing PennSound Italiana," for Jacket2 (June 2015)

"The Thick & the Slow of Knowledge," for Jacket2 (June 2015)

"Of Fishiness, Flesh, & the Radical Undead," for Boston Review (September 2014)

Garbage Arcadia: Digging for Choruses in Fresh Kills,” for Terrain Vague: The Interstitial as Site, Concept, Intervention, ed. Patrick Barron and Manuela Mariani (Routledge, 2013): 138-62

“Xenoglossia,” for The Princeton Encyclopedia of Poetry and Poetics

Poetics of Enormity,” with a photo dossier on the development of the performance work PARK, including a brief exchange with choreographer Kathy Westwater, Interim 1 (Fall 2011)

"Poetry, Gossip, Infrastructure," Evening Will Come/The Volta (December 2011)

Tuning as Lyricism: Performances of Orality in the Poetics of Jerome Rothenberg and David Antin,” Critical Inquiry 37:4 (Summer 2011)

"Versus Seamlessness: Architectonics of Pseudocomplicity in Tan Lin's Ambient Poetics," boundary2 36:3 (Fall 2009), special issue on poetry after 1975, translated into Serbian at POLJA

Accommodated, Unaccommodated Man, and Daughter:  Adapting Home in Moby-Dick and Moby Dick,” catalog essay on the work of Guy Ben-Ner for the Smart Museum’s Adaptation: Video Installations by Ben-Ner, Herrera, Sullivan, and Sussman & The Rufus Corporation (May 2008)

Utopia Interrupted:  Archipelago as Structure in A Draft of XXX Cantos,” PMLA 122:1 (January 2007)

‘Più mOndo i:  tUtti!’:  Traffics of Historicism in Jackson Mac Low’s Contemporary Lyricism,” Modern Philology 105:1 (August 2007)

Bachelorettes, Even:  Strategic Embodiment in Contemporary Experimentalism by Women” (response to Jennifer Ashton), Modern Philology 105:1 (August 2007)

"One Venice After Another:  The Present Tense of the Future-Past at the 52nd Biennale," The Brooklyn Rail (July-August 2007)

Site Surfeit: Office for Soft Architecture Makes the City Confess,” Chicago Review 51:4/52:1(Spring 2006)