Biennale di Venezia — OIKOST, a blog — OIKOST

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ESSAYS INTERVIEWS AND PODCASTS VIDEO JOURNALS ANTHOLOGIES

KILLING THE MOONLIGHT—MODERNISM IN VENICE THE REPUBLIC OF EXIT 43 LOCOMOTRIX FROM DAME QUICKLY SMOKEPENNY LYRICHORD HEAVENBRED: 2 ACTS BELLADONNA ELDERS SERIES #5 AUFGABE 7 THING ODE/ODE OGGETTUALE A NEURAL NET ERR-RESIDENCE BEAUTY [IS THE NEW ABSURDITY] Bibliography (Critical Engagement)

SMOKEPENNY LYRICHORD HEAVENBRED LEAVE LOOM EXIT 43 (OUTTAKES BEYOND THE BOOK) POPULIST PASTORAL (IN SMOKE) THE DATA THAT WE BREATHE PARK Confinement Motet VISUAL/INSTALLATIONS SOUND NEOSUPREMATIST WEBTEXTS of the Monitor’s Fight

City Lit: Between Utopia & Dystopia, Design & Occupation Poetics of Dislocation Ecopoetics: Literature and Ecology Breathing Matters: Poetics and Politics of Air RADICAL DOCUMENTARY "ADVANCED""POETRY""WRITING" Realism & the Abracadabrant Word Cultures of Distraction Henry James & the Sense of the Past Poetry Of & Off the Page Writing and Social Change

ABOUT PUBLICATIONS ESSAYS INTERVIEWS AND PODCASTS VIDEO JOURNALS ANTHOLOGIES BOOKS KILLING THE MOONLIGHT—MODERNISM IN VENICE THE REPUBLIC OF EXIT 43 LOCOMOTRIX FROM DAME QUICKLY SMOKEPENNY LYRICHORD HEAVENBRED: 2 ACTS BELLADONNA ELDERS SERIES #5 AUFGABE 7 THING ODE/ODE OGGETTUALE A NEURAL NET ERR-RESIDENCE BEAUTY [IS THE NEW ABSURDITY] Bibliography (Critical Engagement) POETRY BEYOND THE PAGE SMOKEPENNY LYRICHORD HEAVENBRED LEAVE LOOM EXIT 43 (OUTTAKES BEYOND THE BOOK) POPULIST PASTORAL (IN SMOKE) THE DATA THAT WE BREATHE PARK Confinement Motet VISUAL/INSTALLATIONS SOUND NEOSUPREMATIST WEBTEXTS of the Monitor’s Fight TEACHING City Lit: Between Utopia & Dystopia, Design & Occupation Poetics of Dislocation Ecopoetics: Literature and Ecology Breathing Matters: Poetics and Politics of Air RADICAL DOCUMENTARY "ADVANCED""POETRY""WRITING" Realism & the Abracadabrant Word Cultures of Distraction Henry James & the Sense of the Past Poetry Of & Off the Page Writing and Social Change

an ongoing archive (by Jennifer Scappettone)

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Posts tagged Biennale di Venezia

SMELTING POT

SMELTING POT

architext, butte, cerro de pasco, corporality, data, ecopoetics, enormity, keweenaw, new york, paris, poesy, postpastoralism, shanghai, the cloudJ. ScappettoneMay 23, 2018architettura, babel, Biennale di Venezia, copper, Dimensions of Citizenship, documentary, ecopoetics, futurism, global citizenship, migrant

Pilgrimage to the Casa Rosselli. I would like to translate this plaque, whose eloquence, depth of thought, and memory of Fascism are of a lost era. Also: there is literally no mention of Amelia Rosselli, their mother, a distinguished author and femin

Also ceasefire now and forever. Just stop killing innocent people. Basta

Studying the trans-anthropocentric gazes of painters of the Italian Renaissance through the worlds revealed at creaturely feet in the Louvre Naples/Paris show. Penultimate image lacks a humanoid foot because instacrops, but I couldn’t resist sh

Domani/tomorrow: perhaps the first time my talk is named a lectio magistralis!: on Amelia Rosselli and the inheritance of the anti-Fascist Resistance, at the Soprintendenza Archivistica e Bibliografica della Toscana in central Florence. Lovely for th

Scenes from the IMA to which I took refuge today after finally writing my letter of complaint to entities in Italy who disinvited me from speaking about Etel Adnan’s Arab Apocalypse as I had proposed, the first time because “it would conf

Donna, Vita, Libertà: unfortunately a need for another protest, this time the noise of several generations laced through the city “because silence is not enough” to combat the rash of femicide, and in honor of 22-year-old Giulia Ce

Tomorrow night, 9 pm, poetry and electric music against toxic extraction of resources and labor—against use of the earth as waste sink—resisting growth and excavating archives of revolution in a new together, with @carlotraghetti @amine_e

Highlight of the 2023 Biennale d’Architettura for me definitely, by semi-chance, was meeting up with Tonya and with Ariel and with Mabel, one of the makers of the Memorial to Enslaved Laborers at my alma mater, UVA (to which I went kicking, bu

Yesterday beginning with Artemisia Gentileschi’s Mary Magdalene in Ecstasy, Bosch’s Apocalyptic Vision which seems more like a solution from this vantage point, damnatio memoriae of the decapitated doge who attempted a coup, and the balls

The water is almost at sidewalk level, the station empty. The semblance of irreality that ought to function as wake up call on multiple levels holds. Antico strazio. #killingthemoonlight #lalunavincerà

This photo hails from 10 years ago but it was 23 years ago that I first stepped into the archive I entered again today, to clock 7 short hours more (& counting) in the long slow work of reading of all the put-off microgratifications and the rejec

Things the skies do and other specimens of the vertical imagination indulged when not peering into language: including full moon as flame, the neighbor’s melancholy cat, a bust of a librarian whose grimace sums up the lab-coat-laden halls of th

Things the weather does besides creating states of emergency, a state of art study in this city, the view from the brutalist entry to the archive, student signatures on the architecture here, and the drama of a granddaughter’s life “after

One of the sparse things that tiras mi su these infuriating days is that this long-delayed collaboration with an old friend and a couple of new ones is transpiring in trio elettrico…. #copperlyres

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